TENOR

Canadian tenor Daniel Auchincloss studied at the University of Toronto and at the Royal Scottish Academy of Music and Drama. He has performed as soloist with such groups as the Apollo Chamber Orchestra, the Brighton Festival Chorus, the Bournemouth Symphony Orchestra, Britten Sinfonia, the City of London Sinfonia, the Gabrieli Consort, La Grande Écurie et la Chambre du Roy, The Orchestra of the Age of Enlightenment, the Royal Liverpool Philharmonic Orchestra and the Salzburg Camerata in Rome. Conductors with whom he has worked include Emmanuelle Haïm, Stephen Cleobury, Gary Cooper, Diego Fasolis, Jean-Claude Malgoire, James Morgan, Sir Roger Norrington and Vassily Petrenko.

Other engagements have included Linfea La Calisto for the Early Opera Company, Angel Canticum in nativitatem Domini with the Gabrieli Consort, La Pythonisse David et Jonathas with the Orchestra of the Age of Enlightenment, Charpentier Te Deum with Le Concert Spirituel, Moore The Dragon of Wantley at the Musikfestspiele Potsdam Sanssouci, Apollo L’Orfeo for Capella Cracoviensis, The Fairy Queen and The Indian Queen and forToronto Masque Theatre, the title role in Platée for the English Bach Festival at the Megaron, Athens, Arbace Ciro in Babilonia for the Atelier Lyrique, Tourcoing,  the title role in Le Comte Ory for New Chamber Opera and Police Inspector The Nose for the Opera Group. His recordings include Bach Cantatas with I Barocchisti (Arte), Biber Requiem in F, Paride ed Elena and the Monteverdi Vespers 1610 with The Gabrieli Consort & Players (DG), Britten Negroes with the Birmingham Contemporary Music Group conducted by Martyn Brabbins (NMC – a Sunday Times CD of the Week), Sacred Music of Claudio Monteverdi with The King’s Consort (Hyperion), Neukomm Missa Solemnis with La Grande Écurie et la Chambre du Roy (K617) and The Fairy Queen with the Coro della Radio Svizerra (RTSI TV).

Recent engagements have included Nencio L’infedeltà delusa with Andreas Spering and Capella Augustina at the Musikfestspiele Potsdam Sansoucci, St John Passion for the Amadeus Choir, Toronto, and the Irish Baroque Orchestra, Mozart Requiem with the Philharmonia Orchestra, Neukomm Missa Solemnis with Jean-Claude Malgoire and La Grande Écurie et la Chambre du Roy, The Fairy Queen with Emanuelle Haïm and Le Concert d’Astrée at the Opéra de Lille and King Arthur for Toronto Masque Theatre.

Recent and current engagements include Idraspes Erismena for New Chamber Opera, Nencio L’infedeltà delusa for Potsdamer Winteroper, Mengone Lo Speizale on tour with the Israel Camerata, Don Basilio / Don Curzio Le nozze di Figaro at the Atelier Lyrique de Tourcoing and the Théâtre des Champs-Élysées, Buxtehude Membra Jesu Nostri with The Purcell Quartet at St John’s, Smith Square and Monteverdi Vespers 1610 with the Netherlands Bach Society.

Please note that this biography is not to be used for programmes. Current information is available on request.