TENOR

Canadian tenor Daniel Auchincloss studied at the University of Toronto and at the Royal Scottish Academy of Music and Drama. He has performed as soloist with such groups as the Britten Sinfonia, the City of London Sinfonia (under Richard Hickox), the Gabrieli Consort, The Orchestra of the Age of Enlightenment (in a tour of the St Matthew Passion under Sir Roger Norrington), and the Salzburg Camerata in Rome. He made his début at the BBC Proms singing the Monteverdi Vespers 1610 with The King’s Consort.

Other engagements have included Linfea La Calisto for the Early Opera Company, Angel Canticum in nativitatem Domini with the Gabrieli Consort, La Pythonisse David et Jonathas with the Orchestra of the Age of Enlightenment, Charpentier Te Deum with Le Concert Spirituel, Moore The Dragon of Wantley at the Musikfestspiele Potsdam Sanssouci, Apollo L’Orfeo for Capella Cracoviensis and the Suffolk Villages Festival, Shepherd L’Orfeo for the English Bach Festival Trust, Eumete Il ritorno d’Ulisse in patria, under the musical direction of Michael Chance, The Fairy Queen for the Coro della Radio Svizerra and forToronto Masque Theatre, the title role in Platée for the English Bach Festival at the Megaron, Athens, the title role in Le Comte Ory for New Chamber Opera and Police Inspector The Nose for the Opera Group. His recordings include Bach Cantatas with the Coro della Radio Svizerra conducted by Diego Fasolis (Arte), Biber Requiem in F, Paride ed Elena and the Monteverdi Vespers 1610 with The Gabrieli Consort & Players conducted by Paul McCreesh (DG), Britten Negroes with the Birmingham Contemporary Music Group conducted by Martyn Brabbins (NMC – a Sunday Times CD of the Week) and Sacred Music of Claudio Monteverdi with The King’s Consort conducted by Robert King (Hyperion).

Current engagements include Don Basilio Le nozze di Figaro at the Théâtre des Champs-Élysées, Arbace Ciro in Babilonia for the Atelier Lyrique, Tourcoing, Dr Caius Falstaff for Opera Project, the St John Passion for the Brighton Festival Chorus, the St Matthew Passion for the Apollo Chamber Orchestra, Music by Bach for Goldsmiths Choral Union at the Barbican Hall, London, Messiah for Resurgam, Dublin, Mozart’s Coronation Mass, Neukomm’s Messe pour l’acclamation du Brésil and Philidor?s L?Ode Anglaise with La Grande Écurie et la Chambre du Roy, Mozart Mass in C Minor at the St Endellion Festival, Carmina Burana for the Bournemouth Symphony Orchestra and the Royal Liverpool Philharmonic Orchestra, The Fairy Queen at the Opéra de Lille and The Indian Queen for Toronto Masque Theatre.

Please note that this biography is not to be used for programmes. Current information is available on request.