J. S. Bach: Actus Tragicus / Kessler Collection
“There was much budding talent and one full-fledged star: countertenor Rupert Enticknap. As a soloist in the cantata Actus Tragicus, he sounded pure, instinctive and expressive.”
The Observer
Unulfo: Rodelinda / London Handel Festival
“…bright and clear as Unulfo.”
The Financial Times
“…consistently impressive…”
The Guardian
“…sings with clean expressiveness throughout.”
The Independent
“Enticknap made Unulfo’s three arias count, especially his ravishing ‘Un zefiro spiro.’”
Opera
Ottone: L’Incoronazione di Poppea /
“Rupert Enticknap charts impressively the changing emotions of Ottone, from the deep disappointment about his wife’s infidelity, which changes to hatred, and also to his renewed commitment to his former lover, Drusilla.”
Die Mark Online
“Rupert Enticknap sings a moving and tenderly affecting Ottone.”
Tagesspiegel
Il medo / Ensemble Serse
“An added licenza, assembled from Graun, Handel and Porpora, brought a third accomplished countertenor, Rupert Enticknap as Apollo.”
Opera
Vivaldi: Stabat Mater / Ten Tors Orchestra
“…the quite phenomenal voice of young countertenor, Rupert Enrticknap…Here again was great agility and well-rounded tone, and there was never any sense of forced production – the resulting sound was always perfectly natural and easy on the ear. Whether in arias from Vivaldi’s Stabat Mater, or the operatic drama from Handel’s Riccardo Primo, this is surely a voice destined for great things.”
The Herald