“Sarah Redgwick’s scared, wonderfully sung Marzelline kept this production motoring.”
Marzelline: Fidelio / Opera Holland Park / The Independent

“Sarah Redgwick was an enchanting Marzelline with beautiful diction.”
Marzelline: Fidelio / Scottish Opera / Opera Japonica

“Sarah Redgwick was a fluent and lyric Marzelline.”
Marzelline: Fidelio / Scottish Opera / The Independent

“Sarah Redgwick’s clearly and lightly sung Marzelline…”
Marzelline: Fidelio / Scottish Opera / The Stage

“Sarah Redgwick was a bright and spirited Marzelline, her doubts over her future with Jaquino after she discovers the truth about Fidelio touchingly drawn.”
Marzelline: Fidelio / Opera Holland Park / The Sunday Telegraph

“Sarah Redgwick – a 100 watt light bulb of a voice – a most promising songbird.”
Marzelline: Fidelio / Opera Holland Park / The Times

“Marzelline, sung with happy brightness by Sarah Redgwick…is a channel for the overwhelming joy, hope and freedom that cannot help bursting through even the grimmest moments."
Marzelline: Fidelio / Scottish Opera / The Times

“Sarah Redgwick’s scared, wonderfully sung Marzelline kept this production motoring.”
Marzelline: Fidelio / Opera Holland Park / The Independent

“Sarah Redgwick’s spirited Marzelline was easily able to hold the stage alone.”
Marzelline: Fidelio / Opera Holland Park / Opera

“Sarah Redgwick was a bright and spirited Marzelline, her doubts over her future with Jaquino after she discovers the truth about Fidelio touchingly drawn.”
Marzelline: Fidelio / Opera Holland Park / The Sunday Telegraph

“Sarah Redgwick – a 100 watt light bulb of a voice – a most promising songbird.”
Marzelline: Fidelio / Opera Holland Park / The Times

“Sarah Redgwick was an enchanting Marzelline with beautiful diction.”
Marzelline: Fidelio / Scottish Opera / Opera Japonica

“Sarah Redgwick was a fluent and lyric Marzelline.”
Marzelline: Fidelio / Scottish Opera / The Independent

“Marzelline, sung with happy brightness by Sarah Redgwick…is a channel for the overwhelming joy, hope and freedom that cannot help bursting through even the grimmest moments."
Marzelline: Fidelio / Scottish Opera / The Times

“Sarah Redgwick’s clearly and lightly sung Marzelline...”
Marzelline: Fidelio / Scottish Opera / The Stage

“...Sarah Redgwick’s bright-toned, chipper Frasquita...”
Frasquita: Carmen / Mid Wales Opera / Opera

“…Giannetta turns to gold in the hands of Sarah Redgwick, whose one major aria is worth waiting for.”
Giannetta: L’elisir d’amore / Scottish Opera / The Scotsman

“An honourable mention must be made of Sarah Redgwick’s remarkable Giannetta.  Here is a gorgeous lyric soprano who, no doubt, would make an excellent Adina in her own right.  What she did sing was very memorable, plus her small performance was punctuated by a feisty persona which grabbed your attention. It’s a flashy bright sound that makes you wonder why she isn’t singing the title role. But with Miss Xanthoudakis’s fabulous assumption of Adina, it was the audience who benefitted from hearing two such exquisite voices in one evening.”
Giannetta: L’elisir d’amore / Scottish Opera / Opera Brittania

“…the excellent Sarah Redgwick, Catriona Barr and Louise Poole…”
Pousette: Manon / Scottish Opera / The Independent

“Sarah Redgwick’s Susanna lights up the stage.”
Susanna: Le nozze di Figaro / Opera Holland Park / The Stage

“...Sarah Redgwick and Nicholas Ransley make a quietly sympathetic central couple, her Mimì touchingly believable in her frailty...”
Mimì: La bohème / Scottish Opera On Tour / The Guardian

“Sarah Redgwick’s Susanna runs the girl-power show with bustling efficiency.”
Susanna: Le nozze di Figaro / Opera Holland Park / The Times

“Sarah Redgwick made a huge impression in the small role of Berta…”
Berta: Il barbiere di Siviglia / Opera Holland Park / Musical Criticism

“Sarah Redgwick sketched a lively Berta and her soprano soared confidently over the first-act finale.”
Berta: Il barbiere di Siviglia / Opera Holland Park / Opera

“Redgwick, singing in a warm lyric soprano, had the poise, good taste and understated humour for her role…the Czardas was agreeably insinuating.”
Rosalinde: Die Fledermaus / London Lyric Opera / Opera

“I particularly enjoyed the rivalry in the ball scene between Rosalinda (Sarah Redgwick) and her maid Adele (Ana James), two really impressive young sopranos.”
Rosalinde: Die Fledermaus / London Lyric Opera / Musical Pointers

“Sarah Redgwick’s warm, lyric soprano had the poise, good taste and understated humour of the role with the ‘czardas’ agreeably insinuating and instinctive.”
Rosalinde: Die Fledermaus / London Lyric Opera / Classical Source

“Ms Redgwick made a very interesting and insightful, and at times moving, Rosalinda. She sang with easiness and style, displaying an assured coloratura and excellent comic timing. Her rendition of the famous Csárdás, in Act II, demonstrated what a fine singer she is, and also her ability to connect and effectively project the character to the audience.”
Rosalinde: Die Fledermaus / London Lyric Opera / Seen and Heard

“And Sarah Redgwick’s Berta was always a pleasure, bustling around, vocally adroit: the perfect Rossini servant.”
Berta: Il barbiere di Siviglia / Opera Holland Park / The Times

“…Sarah Redgwick, who sang and acted the role beautifully.”
Violetta: La traviata / Scottish Opera / The Opera Page

“...special praise to Rebecca de Pont Davies, Stephen Chaundy and Sarah Redgwick for their hilarious harlequinade.”
Actor: A Night at the Chinese Opera / Scottish Opera / The Daily Telegraph

“…Rebecca de Pont Davies, Sarah Redgwick and Stephen Chaundy are hilariously virtuoso travelling players.”
Actor: A Night at the Chinese Opera / Scottish Opera / The Times