“There are some fine performances. Donna Bateman and Richard Roberts are the convincingly tragic central couple…”
The Prince: Rusalka / English Touring Opera / The Guardian

“Richard Roberts lent a ringing tenor to the Prince, with reliable top notes…”
The Prince: Rusalka / English Touring Opera / Opera

“… Richard Roberts’ strongly sung Prince...”
The Prince: Rusalka / English Touring Opera / The Times

“The strongest characterisation coming from Richard Roberts’ Steva.”
Steva: Jenufa / English Touring Opera / The Daily Telegraph

“The faithless Steva is aptly slippery as sung by Richard Roberts.”
Steva: Jenufa / English Touring Opera / The Guardian

“…ardently sung by Richard Roberts.”
Boris: Katya Kabanova / English Touring Opera / The Times

“…very well sung by Benedict Nelson, Richard Roberts and Christopher Turner as psychotic chefs, for which, admittedly there are plenty of precedents. It was one of the best things in the production.”
Pang: Turandot / English National Opera / Opera

“Richard Roberts is suitably lyrical and earnest as her Matteo, his clear and youthful tenor floating easily above the orchestra.”
Matteo: Arabella / Opera Australia / The Opera Critic

“Richard Roberts as the Young Guard is impressively done.”
Young Guard: King Priam / English National Opera / Evening Standard

“There was a particularly engaging Steersman from Richard Roberts, lyrically sung and attractively presented.”
Steersman: Der fliegende Holländer / London Lyric Opera / Opera

“…he made this small part shine, and his tenor is both powerful and lyrical.”
Steersman: Der fliegende Holländer / Grange Park Opera / Opera